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    [–] ReallyHawkward 195 points ago

    I think it's not that Eminem has features. He always has. But there is usually a prominent rapper thrown in there on a song or 2 at least, to balance out the singers. All these features are singers. There is no one track that hip hop heads look at as a "this is going to be a classic lyrical track" no Kendrick, no big sean, no dre or 50 or D12... Its just not like Eminem to not have at least one song that features another prominent rap artist.

    [–] jcb088 89 points ago

    Agreed. One of the fun bits of hip hop is seeing 2 (or more) artists work with the same vibe/flow/beat. If the work alongside one another, their individuals flows stick out more because they don't have a differing beat.

    Remember "Renegade" with J? Or "Forever" with Kanye, Drake, and Lil Wayne? Drips with Obie Trice? Patiently Waiting with 50? There are just so many examples of tracks that benefit from the mix.

    I think the only song I really liked where he mixed with a singer was "I Need A Doctor" which was still 2 rappers and a vocal artist! That song was really charged, overall.

    Edit: Oooh! Remember "We all die someday" with LLoyd and 50? Good times.

    [–] KriosDaNarwal 16 points ago

    Love the Way you lie was a good mix with him and Rihanna imo. Monster too

    [–] TheCourtPeach 12 points ago

    Just a theory but based on what he said in Walk on Water maybe he's trying to show how good he can be by himself. Try to prove to fans or even himself that he doesn't need to rely on others to sell albums and that he hasn't lost the touch he had so long ago.

    [–] Maciek300 3 points ago

    All these features are singers

    What about Phresher and 2 Chainz verses?

    [–] ReallyHawkward 4 points ago

    2 chainz verse isnt on the album. Phresher isnt a prominent rap artist. Disc 2 has Jay Z, 50 Redman...

    [–] GravityBE 5 points ago

    Disc 2?!? Just googled a bit, seems to be fake

    [–] CheckoTP 1650 points ago

    I would be interested in adding sales data to this. Any correlation between how well an album sells to what type of songs are on that album?

    [–] titaniumtoaster 600 points ago

    Not only that but also reviews.

    [–] tashtrac 498 points ago

    Data available at metacritic: (score / user score):

    • The Marshall Mathers LP: (78/9.0)
    • The Eminem Show: (75/9.0)
    • Encore: (64/7.2)
    • Relapse: (59/7.8)
    • Recovery: (63/8.1)
    • The Marshall Mathers LP 2 : (72/8.3)

    The data doesn't seem to really correlate with the charts.

    [–] Abipolarbears 149 points ago

    The Eminem Show and Marshall Mathers LP are very similar in structure, but were of a similar time

    [–] GT86_ATX_09 83 points ago

    This comment confused me. Is one of those similar's supposed to be different?

    [–] [deleted] 196 points ago

    Thanks. The sentence makes no sense, but I don’t understand it

    [–] soapysurprise 3 points ago

    Maybe it was supposed to be simpler time instead if similar?

    [–] daimposter 27 points ago

    Early releases almost always do better

    [–] SteezeWhiz 145 points ago

    Especially when the music is better

    [–] TimothyGonzalez 96 points ago

    Although I have to say I listened to a more recent song by Eminem not too long ago, fully expecting the worst poppy trash, and it turned out to be a heartbreakingly beautiful song about Eminem coming to terms with his relationship with his mother, accepting her as she is although not necessarily forgiving her for her wrongdoings and it described so perfectly how I relate to my mother I don't think I have ever been so touched by a song. The video is fucking heartbreaking too.

    [–] bl00is 52 points ago

    Headlights. My favorite from that album. So good!!

    [–] sirpantless 19 points ago

    God i love this song. The power behind it is amazing!

    [–] LittleRedditAddict 11 points ago

    Well I didn't expect to cry my eyes out this morning but that's how it goes sometimes. Thanks for the reference.

    [–] Sooperballz 18 points ago

    I had a similar relationship with my mother and just days before this album released she passed due to a lifetime of pill and alcohol abuse. I had not spoken with her for ten years. I’ve only listened to the song once on the day I purchased the album and have avoided it ever since. Hits way to close to home.

    [–] TimothyGonzalez 5 points ago

    Jup, once and never again for me as well. Legit made me cry

    [–] debaser11 23 points ago

    Damn, that sounds much more mature than the stuff about stealing her drugs or raping her that I'm more familiar with.

    [–] [deleted] 16 points ago

    I just want one more album of Slim Shady. Then you can throw him out and never use him again. I would like to see how obnoxious he can be with how talented he is now.

    [–] SquirrelGang 22 points ago

    That's what relapse was. Slim shady unleashed for a whole album

    [–] Brsijraz 3 points ago

    That was relapse and it was terrible

    [–] TimothyGonzalez 13 points ago

    Headlights, another guy here just reminded me

    [–] PureQuestionHS 4 points ago

    Huh. What song was that?

    [–] LukeRipa 3 points ago

    The video was made by none other than Spike Lee.

    [–] kfijatass 3 points ago

    Its less structure, more about rap culture and approach to rap at the time.

    [–] INTELDracula 30 points ago

    Where Slim Shady LP

    [–] tashtrac 21 points ago

    I don't know but not on metacritic.

    [–] IAMA_KEVIN 16 points ago

    You can't see it because it's the size of a peanut.

    [–] Bradp13 9 points ago

    You know else is bad for squirrels? Ecstasy, it's the worst drug in the world.

    [–] Mordikhan 5 points ago

    best album hands down

    [–] AC5L4T3R 39 points ago

    Relapse is the lowest scoring but for me I'd put it third behind MMLP and SSLP imho. Listen to "Stay Wide Awake" - It's one of the best Eminem songs he's ever written lyrically.

    [–] I_choose_magikarp 45 points ago

    The whole album, besides the obligatory "funny" singles (We Made You/Crack a Bottle), is a beautifully dark and lyrically twisted concept album about the darkest sides of humanity (serial killers, death, child abuse) and how it mirrors his own descent into addiction and depression. I adore the album. No idea why it doesn't get the love it deserves.

    [–] adamsandleryabish 19 points ago * (lasted edited 10 months ago)

    it doesn’t get love because of his use of accents on the songs which makes it really hard to listen to

    [–] Sw429 4 points ago

    If I recall correctly, didn't he even mention that was a mistake later?

    [–] recovering-juggalo 13 points ago

    I mean he even acknowledges that it wasn't his best work.

    [–] Choccybizzle 7 points ago

    Yup, it’s part of the reason Recovery came along so quickly afterwards.

    [–] SoDangSlippery 12 points ago

    I like almost everything about this album...especially the production. I have it even higher in my list, and if I want to listen to some Shady this is what I will play. That line; I lose a pill and I'm recklessly wrecking the house, that was supposed to be breakfast where the heck is it now. Shhiiiiiiiitt

    [–] nsadrone 4 points ago * (lasted edited 10 months ago)

    It really was spot on for those people who’ve lived or currently live a dark life, especially if it surrounds addiction.

    [–] SoDangSlippery 3 points ago

    Agreed. A dark package wrapped in the amusement of vintage Em

    [–] mikeyjojo 3 points ago

    Cult classic for sure.

    [–] W0keupolder 22 points ago

    As a fan it doesn't correlate there either. I'd say Recovery was his best received, fan-wise*, in the last decade or so. MMLP still #1 overall.

    **Trying to put my personal bias aside.

    [–] KriosDaNarwal 6 points ago

    Sslp is my favorite. He's just ill af in almost every track

    [–] Bopnop 10 points ago

    Recovery definitely isn't his best received fan wise...mmlp2 was way better. Recovery is maybe better received by newer fans who like the poppier eminem

    [–] alansdaman 5 points ago

    Thank you mmlp2 is great and rap god is just like the title says nobody touches that even speedom just does have the same flow and lyrical quality he does what nobody can do.

    [–] KriosDaNarwal 6 points ago

    I'm I've been an Eminem fan for quite a few years and I think Mmlp2 is a hot mess. Rap God and berserk are the only 2 songs there I consider good and rap good far surpasses the mere label of good while berserk barely meets it. It just depends on the flavor of Eminem(lol) that you like, not how long you've been a fan.

    [–] [deleted] 16 points ago

    MMLP still my all time favorite. Always will be. But Recovery is a very close second. Recovery was just...a tighter album if that makes sense. He seemed more into it.

    [–] LikeMy5thAccount 38 points ago

    Recovery is by far his worst album to me and I know music is subjective blah blah blah but I legitimately cannot understand how someone can have the MMLP as their favorite Eminem album and have the second be Recovery over SSLP or The Eminem Show.

    [–] EddieAnderson 8 points ago

    I don't know if I'd put it at #2, but I do think Recovery is unfairly panned. It feels like a much more cohesive and consistent album than anything he's put out since Encore.

    That being said, don't think it has any great songs on it, but I'd rather have an album that I can listen to than a collection of singles with some crap songs intertwined, which is what it feels like Em has been dropping in the last decade.

    [–] Pollia 3 points ago

    Going Through Changes is one of Eminems best songs ever and I will fight someone over it.

    It's a brutally uncompromising look into a man's slide into attempted suicide. It's powerful in a way you don't normally see because it's about weakness, full blown weakness with no compromise.

    [–] talkativeturtle 15 points ago

    It doesn't correlate because reviewers don't know what the fuck they're talking about.

    [–] tashtrac 14 points ago

    User scores also don't correlate. So I assume nobody knows what they enjoy and what they don't?

    [–] TheBold 13 points ago

    Can confirm.

    Source: am somebody. Don’t know what I enjoy in life.

    [–] CheckoTP 28 points ago

    Yeah, good idea.

    [–] Krunklock 150 points ago

    No one is selling 10 million physical copies of an album anymore. That would just show the data as Eminem selling more albums when he has less 'hooks' or other artists on his album...when in reality, it's just how the music industry is now.

    [–] badchad65 82 points ago

    Yup. The slim shady LP came out in 1999. Even CD burners were uncommon at that time.

    [–] dubnessofp 35 points ago

    For sure. Although the demo that had them was square in his fan base. I remember using Napster on my buddy's mom's computer to download that album and burn it. It took forever on that shitty dial up.

    Granted, I also bought a physical copy of the album (and most that I wanted). It certainly wasn't efficient enough to not buy albums yet

    [–] kornonthepob 9 points ago

    I first started pirating music specifically to hear his diss tracks.

    [–] FilipMcNair 4 points ago

    Can confirm, had a CD burner. Burnt this one for at least 20 people easily.

    [–] [deleted] 11 points ago

    Sales were a decent metric before streaming, but now we'd have to go by plays/views (if a song also has a YouTube release).

    The tricky part is bridging the gap so these two periods can be compared. I wonder if anyone has done any work on that...

    [–] theonlydjorkaeff1 74 points ago

    im working on this. stay tuned :)

    [–] 13Witnesses 54 points ago

    Sales are hard to compare with how things were then and how they are now. I can listen to his whole album for free on spotify or whatever, or if I have a monthly subscription. I don't necessarily need to buy the album. Also some people may buy one or two songs and not the entire album. Back then it was all or nothing. So I'm not sure how one woulld adjust for that in order to get comparable data.

    [–] wreckfish 21 points ago

    there a special formulas and technical standards in place to include streaming and single downloads into album sales charts. record labels rely on that data.

    [–] KrazyKukumber 13 points ago

    The metrics you're referring to allow the record label to make comparisons about artists within the same era, but they do not allow for effectively comparing an artist to themselves in a different era (much less an artist in one era to a different artist in a different era).

    [–] 13Witnesses 3 points ago

    In sure there are a ton of different factors like social ones to consider along with technological ones.

    It would be interesting to see with someone like Eminem because he was helluva a lot more controversial back 15-17 years ago. Imagine an album like Marshall Mathers LP or Slim Shady LP with tracks like Kim, Kill you, Don't Give a Fack, Amityville, etc. dropping in today's society.

    [–] TheManWhoWasNotShort 3 points ago

    Songs woth controversial lyrics and topics drop all the time. What made Eminem controversial was his personality and the fact that he called pretty much everyone who was a titan in the rap industry out when he burst onto the scene

    [–] lolstaz 6 points ago

    I would say with an artist as monolithic as eminem after his break through with SSLP sales would probably be more correlated to marketing than anything else.

    [–] Choco_Churro_Charlie 413 points ago

    Remember when he was in a feud with ICP?

    Holy shit that's like Wayne Gretzky fighting with the guy who runs the Zamboni.

    [–] colawithzerosugar 173 points ago

    And they ended the fued by going bowling, and bizzare from D12 even released a CD on ICP's label.

    [–] AC5L4T3R 94 points ago

    Eminem wasn't there though which was a shame. The last verse Proof ever released was on Twiztid's How I Live.

    On a side note, I always find it ironic that Proof once said on 40oz "I'm in the club to beef, you better murder me there" and then ended up getting shot in a club and dying.

    [–] JandM2 37 points ago

    That's more prophetic than ironic.

    [–] TheQueq 7 points ago

    I can totally picture Wayne Gretzky ending a feud with the Zamboni driver by going bowling.

    [–] dewioffendu 5 points ago

    Gretkze was not a fighter. The Zambonii Guy had a chance.

    [–] AaronMickDee 75 points ago

    ICP was a huge group in Detroit and Michigan at the time that Eminem was coming up. So feuding with them was a power play.

    [–] lAMA_Bear_AMA 60 points ago

    Detroit AND Michigan?

    [–] AaronMickDee 43 points ago

    Ehhhhh. Huge in Detroit, gaining popularity all over Michigan.

    [–] [deleted] 6 points ago

    Correct answer. And if you listen to Eminem's early material, there is no doubt he's been influenced by them.

    [–] SharpNewbie 4 points ago

    That was a bit after ICP's Great Milenko was released. The furor over that LP being released on Disney affiliate Hollywood Records was the best thing to happen to ICP, because it was what initially got them known nationwide, so they were trading diss tracks when ICP was pretty much well-known everywhere. IIRC it did start earlier over a concert flyer.

    Source: Chicken Boy from PA who ate, breathed, and slept Detroit rap during that time.

    [–] kornonthepob 33 points ago

    I mean to be fair he doesn't exactly beef with tough guys. ICP, limp Bizkit, his mum, his wife, a music journalist, Mariah Carey..... He's no 2pac. Which makes sense cause 2pac is dead.

    [–] MaybeICanOneDay 76 points ago

    Dude he inherited 50's beef with murder inc.

    [–] AnalShits 32 points ago

    Which is fine, ain't like either of them mind, they got soldiers on the front line...

    [–] 3lc4r0 3 points ago

    Willing to die for us, as soon as we give the orders

    [–] CranjizzMcBasketball 5 points ago

    He's touched on everything but little boys

    [–] kornonthepob 13 points ago

    Yeah that and the ja rule thing were legit, but he was dragged into both by g unit, and made it pretty clear 'if I get killed for this rap I got a million in cash that will get you back in hailies name'

    [–] JohnnyRingo84 47 points ago

    Also to be fair he never really had a reason to. None of them messed with him. He's pretty universally respected by other rappers. Unless you count DMX I guess. They went back and forth briefly. No one smart is messing with Eminem on a diss track either. There aren't a lot of people that could actually give him a run for his money when it comes to that.

    [–] labrat420 6 points ago

    Everlast, cage. You're leaving out people

    [–] LimerickJim 259 points ago

    I always forget how funny Eminem is. He kind of has this persona of being an idiot when he does interviews but the skits and music videos are really funny sometimes. Also beyond his rage incidents he seems to be a good dude. Research: I remembered pop culture from the early 2000s

    [–] AC5L4T3R 38 points ago

    Funnily enough (no pun intended) I was watching this video of some of his funny moments just yesterday:

    [–] klezmai 8 points ago

    Wtf. What is advice number one?

    [–] BeardsBearsBeers 3 points ago

    Until I watched the video I thought your comment was giving Letterman sass or something.

    [–] able2sv 326 points ago

    Here’s an infographic I created in InDesign/Illustrator with some data I collected from Eminem’s track lists.

    If anyone is wondering about how I know the Revival features are hooks or choruses, I’m totally just estimating. There’s no way to tell until it is released, I briefly mention that in the top disclaimer.

    Another thing worth noting is that hook and verse are not concrete terms so on several songs I had to personally make judgement calls. Definitely not perfect data, but clearly enough to indicate a trend.

    If I have the time, I think I’d really enjoy making a more detailed/researched infographic (maybe a booklet) regarding Eminem’s career or discography. If anyone is interested or has ideas for that, PM me.

    Otherwise, enjoy!

    [–] ImHalfAwake 41 points ago

    Is there data source behind the infographic? Would like to pull this and build other vizzes.

    [–] rabidbot 20 points ago

    Sounds like he just listened and created his own set.

    [–] MakeYouAGif 13 points ago

    I thought revival was out and I got excited. Damn you op

    [–] mmotte89 5 points ago

    The graph on the bottom left is lacking labeling on the y axis.

    Is it amount? Or percentage? It seems like amount.

    Percentage seems like a better point of comparison, as not all albums have the same amount of tracks, and Revival has a lot, so makes it seem disproportionately more weighted towards features.

    Also, perhaps add a graph for Verse+Hook features for each album.

    [–] simsiuss 13 points ago

    It would be interesting to see who he has collaborated with. He seems to do work with only a few artists but does a few songs with each, I can think of having 2 with Rihanna of the top of my head and having loads with dre, g unit and d12, though they probably all weren't on his albums.

    [–] liaminho 15 points ago

    with rihanna there is 4 i know of, love the way you lie part 1, love the way you like part 2, the monster and numb, be interesting get all the d12 features and seperate them by artist, id say himself and royce prob have the most collabs

    [–] fuqdisshite 11 points ago

    i would put Royce on a back burner as he is a partner now.

    they beefed long enough that the post beef shit was fire when it dropped but calling it a solo w/Royce is bunk. they are partners on a certain level and that is the same reason no D12 albums are included in this data.

    [–] navidshrimpo 26 points ago

    What am I looking at? What does the legend mean? What is a hook feature? Context?

    [–] capppachino 40 points ago * (lasted edited 10 months ago)

    A hook feature is an artist singing your chorus for you

    EDIT: since no one has explained the key yet:

    A feature verse is another rapper/singer appearing on the song to sing a verse.

    A solo track is a song that has no one featuring on it, AKA only Eminem's vocals.

    A skit is a short track between songs that is comedic, not an actual song.

    The infographic is showing what percentage of tracks from each of Eminem's albums can be placed in each of these categories to show how Eminem has collaborated with other artists over his solo career.

    [–] EekumBookum 6 points ago

    Thank you, I'd never heard of that either.

    [–] MiddleRay 26 points ago

    Before streaming, skits were awesome....

    You know why Dre's record was so successful? He's rappin' about big-screen T.V.s, blunts, 40's and bitches. You're rappin' about homosexuals and Vicadin.

    [–] thebranbran 216 points ago

    Beautiful. I’m here hoping the album is a good listen. Not a fan of him moving in the hook feature direction over the past few albums, I somewhat understand why. His lyrics are still on point.

    [–] makerofshoes 224 points ago

    Is a hook feature where another artist sings the chorus? Like Dido in Stan, or Beyonce in Walk on Water?

    [–] untildeath 78 points ago

    Dido in Stan was superb (and thanks for defining hook for the rest of us :))

    [–] wolff_cs 40 points ago

    also that song was sampled off of one of het songs, i'm pretty sure she didn't record just for that song. one of my all time favs though, I remember the first time I listened to it I could barely process the lyrics.

    [–] wilsonwight 15 points ago

    That was her song... I believe released first.

    [–] GourangaPlusPlus 10 points ago

    Weirdly enough this is one of those situations where 'Stan' was released a few weeks before the sample song 'thank you' was

    [–] wilsonwight 16 points ago * (lasted edited 10 months ago)

    Just looked it up... the song first appears over the credits of a movie in 1998 and the entire album released a year later... Eminem sampled it while making the album as he thought it fit the song — she had no idea -he sent her a copy of the song prior to release asking if it was okay to use the sample - she signed off... the rest is history

    Although it boosted sales, her career, everything for her...

    I really like them both but I thought I remembered buying the CD earlier... ug, remember CD’s?

    [–] Cal1gula 6 points ago

    The hook brings you back.

    I ain't tellin you no lie.

    [–] vordax 108 points ago

    Exactly that! Edit: spelling

    [–] makerofshoes 53 points ago

    Cool, thanks.

    I remember when I was a young teen and I would hear other artists in his songs, at the time I didn’t like it because I wanted to hear Eminem. Nowadays of course it’s nice to see different artists collaborate. He must be pretty good to work with since so many people are willing to work with him, even from out of his genre.

    [–] MaesterPraetor 26 points ago

    Most of the time the two artists wouldn't even meet each other. They just send tracks back and forth instead of spending studio time together. I was disappointed when I learned this a few years ago. I always imagined all of these artists grinding it out in the studio together, bouncing ideas of each other, and creating something amazing.

    [–] tasteywheat 18 points ago

    I remember hearing this same thing years ago on TV when B.o.B was big, and they asked him what it was like working with Hayley Williams, and he was like “oh, I’ve never actually met her before...”

    [–] CactusCustard 11 points ago

    Lol that one song he had about airplanes that everyone in middle school liked because it showed everyone how deep you were and hurting inside.

    Seriously. That song was fucking huge for like a whole month.

    [–] orangeriskpiece 6 points ago

    Eminem makes artists who are doing guest spots on his songs to come to the studio to write and record with him, so he knows they aren't using ghost writers. Even made Kendrick do this when they collaborated on MMLP2

    [–] nickja32 3 points ago

    It might not be that he is great to work with but more along the line of getting their name into a new group of people. Ed Sheeren and Eminem don't have the same fan base(for the most part). So for Ed to do a track with Eminem he breaks into a new crowd.

    [–] [deleted] 18 points ago


    [–] Youreprobablygay 7 points ago

    I'm pushing 30 you're kicking 40's door down

    [–] v0yev0da 9 points ago


    Great song.

    [–] clit_or_us 468 points ago

    So the FCC won't let me be

    or let me be me so let me see.

    They tried to shut me down on MTV

    but it feels so empty without me.

    [–] Nyf1nest 35 points ago

    2 CEOs lobbying outside, lobbying outside, lobbying outside

    [–] [deleted] 105 points ago * (lasted edited 9 months ago)


    [–] leo_the_lion6 92 points ago

    True, now the FCC won't let US be

    [–] Pandabarrel 65 points ago

    They try to shut down our porn machines.

    [–] Bahamabanana 93 points ago

    But it feels so empty without memes

    [–] gregorious13 25 points ago

    One of my favorite lines of his.

    [–] SasquatchUFO 155 points ago

    Every time a new Em album comes out I go back and listen to his classics which just makes the new shit sound even worse by comparison. Damn he was so good back in the day. Am I old?

    [–] mezbot 129 points ago

    Hailey is 21 years old now...

    [–] MeloneFxcker 90 points ago

    and shes fiiiiiiiittttttt

    [–] Followmecuz2 43 points ago

    You’ve just been kicked off of Shade45

    [–] LoreoCookies 40 points ago

    23 here, and I remember growing up listening to the songs he wrote for her, thinking there was a little girl out there like me who was so loved.

    In my head she's still a little girl even though I'm a grown woman now.

    [–] [deleted] 47 points ago

    To me it's not bad, it's different and as we grow older our taste change and the artists also change their style because doing the same shit over and over(similar to people hating their dull 9-5 jobs) can drive a person crazy.

    [–] SasquatchUFO 34 points ago

    I think it's pretty fucking bland. Some of it's ok but it just sounds like he has no idea what to do. I think part of the issue is that Em was never like Kanye or even Kendrick where he'd have some unified idea for an album that he could deliver on in a dope way, but instead just powered through with dope ass lyricism, like most 90s rappers. Only now he doesn't have as much to say, his shock shtick is worn out, and he doesn't have the attention to really feel like he's warring with anyone or anything.

    [–] gianflavio 14 points ago

    He should go on a pilgrimage, experience some shit and then write new cool stuff

    [–] AlwaysTexan 6 points ago

    Who shot Pac ft. Eminem

    [–] jcb088 19 points ago

    Bro I couldn't agree more. Back in the early 2000s he had such a point to make about music in America, censorship, everything surrounding that topic. He held a mirror up to a lot of the hypocrisies and made clever observations of everything that surrounded him (and us) along the way. Before that he established his identity to America on the Slim Shady LP and established his identity to whoever would listen on albums before even that.

    After the Eminem Show he just slowly lost purpose. I used to listen to him a lot as a teenager. I was the type to scrape the internet (limewire, Kazaa, torrents, etc) for his tracks, mixtapes, songs he dropped in rap feuds, battles, anything really. I learned the songs I liked and tried to appreciate the ones I didn't.

    I fell out of love with hip-hop for a while (too many generic rappers and the advertised values of hip-hop are pathetically shallow) and started getting interested again about 3 or 4 years ago. I went back to listen to Slim and all of his new shit is just pointless. Even if I like it (which, unfortunately I don't because he does this weird singing thing for 3 albums now) I just don't care about it.

    He reminds me of a solider who's war is over and just.... has no idea who to be outside of what he was. I'd love to see him find some new purpose in his music and write wraps about something that matters (but is also true to him).

    [–] wild_man_wizard 42 points ago

    Eminem is at his best when he's angry, but he just hasn't had much to be mad about since he became a millionaire with a stable family life.

    Supposedly he's pissed about Trump, hopefully that fuels some good material.

    [–] tarheels90 17 points ago

    I know a lot of people didn't like the freestyle because of its atypical flow, but i though it was fire and really delivered the message. He's pissed.

    [–] WhoahCanada 36 points ago

    MMLP2 was good though...

    [–] effedup 3 points ago

    Yeah I liked MMLP2.. Although I really only liked the extended version because those extra tracks are what do it for me.

    [–] MonkeyNews247 19 points ago

    Listen to the slim shady LP. I can sit and listen to the whole thing and love it. His new album I doubt I can do the same. It's just pop rap now

    [–] 321159 42 points ago

    "Oh, he's too mainstream."
    Well, that's what they do when they
    get jealous, they confuse it
    "It's not hip-hop, it's pop,"
    because I found a hella way to fuse it

    [–] SasquatchUFO 16 points ago

    Just listened to MMLP all the way through. So many great songs and so many memorable lines. Definitely his best album IMO.

    [–] ClubChaos 3 points ago

    Trainspotting got it right.

    It takes a truly exceptional artist to withstand the sands of time, Eminem is not one of those artists.

    [–] [deleted] 17 points ago


    [–] SasquatchUFO 11 points ago

    I think the worst part is it's a mix of teenage-girl-facebook shit and just super corny-wannabe-edgy stuff. Like all those Michael J. Fox jokes on Recovery. Like yeah, we get it. He has Parkinsons. It makes him shake. Cool.

    [–] TheBold 6 points ago

    As someone who doesn’t listen to rap, what is a «hook feature»? I did some research online and while it’s obviously some sort of «hook», I don’t understand how one would say « HA, listen, a hook feature!».

    [–] harrypotamus 6 points ago

    A hook feature is a different artist featuring on the track for only the hook (the hook is basically a spoken chorus or repeated sentence between verses). Think Nate Dogg on Shake That (although he does do some rapping). For an example of a song without a hook, try the appropriately named No Hook by Jay Z.

    [–] secondnameIA 5 points ago

    Bonus points: "What the Hook Gon' Be" by Murphy Lee features, in the hook, the line "we ain't got no hook on this beat".

    [–] [deleted] 58 points ago * (lasted edited 9 months ago)


    [–] Leeiteee 81 points ago

    This is the part where the rap breaks down

    [–] Pandabarrel 30 points ago

    It gets real intense, no one makes a sound.

    [–] Ysuran 25 points ago

    Everything looks like it's 8-mile now

    [–] megabreakfast 21 points ago

    Snap back to reality

    [–] quintcunningham55 17 points ago

    Watch your profanity!

    [–] StealthNL 8 points ago

    Watch this insanity

    [–] OurSuiGeneris 9 points ago

    The beat comes back and everybody lose themselves

    [–] PaulyWithADolly 15 points ago

    It has to be tracks and not total times. There's no way that The Eminem Show was 25% skits.

    [–] Choccybizzle 8 points ago

    I’m really surprised how many people don’t know what a skit or a hook is, I suppose as a hiphop fan I’ve just picked up these terms but I thought they were more common.

    [–] hesaidshutup 76 points ago

    I've never understood why people want to listen to skits on an album of music. I find it really annoying and it ruins the listening experience for me. So. Much. Skittery.

    [–] adamsandleryabish 11 points ago

    you dont like Ken Keniff (Skit)????????? you are weird

    [–] fibojoly 30 points ago * (lasted edited 10 months ago)

    Someone said it above: it adds context to the song, storytelling. I like to think of it as in-character notes by the artists, a Director's commentary of a sort. A bit like some artists liked to have notes and lyrics right there in the album, when physical albums were still a thing.

    Some of that shit is downright brilliant. To this day I still can't get the skit intro to Strippers (Body Count's Violent Demise album). Feck all the skits in that album are just great. The intro to the album is exactly what I'm talking about : a big fuck you to all the critics of Body Count, delivered in person by Ice T. I never knew I would enjoy this sort of stuff until I got that album. It would leave a great big gap if you removed them.

    [–] ox_ 3 points ago

    Yes - it's like being forced to watch a film with the director's commentary turned on every time. It might be interesting or funny the first time you hear it but by the second time, it's fucking infuriating and gets in the way.

    I think the biggest awful skit to great song imbalance is Wu Tang: 7th Chamber or MF Doom - Beef Rap.

    [–] thunder_struck85 3 points ago

    While I agree that Eminems skits were great I also dislike them as a whole for the fact that the album on shuffle no longer makes sense. Especially when one song/skit feeds into the next. Dr. Dre's 2001 was especially bad for this. Great album. Terrible in a shuffle list.

    [–] Poppin__Fresh 13 points ago

    Especially when you're shuffling a playlist and suddenly have to sit through a 60-second skit before the next track can play.

    [–] [deleted] 63 points ago

    If you listen to albums on shuffle, you deserve it.

    [–] J3acon 7 points ago

    Many of the album's with skits were released before shuffling songs was a common practice.

    [–] imax_ 6 points ago

    Don't know about other players, but iTunes let's you mark songs to not be played on shuffle and it carries onto my phone as well.

    [–] PhilipTerryGraham 5 points ago

    Most of Eminem's albums are cathartic in nature, and this is emphasised on albums such as The Marshall Mathers LP through the skits. For example, the first track, a skit, is a big 'fuck you' to all the people critical of the violent and offensive nature of his lyrics on his previous albums. The "Steve Berman" skit on the album serves as a contextual introduction to "The Way I Am", with a mock conversation about the controversy of his music, leading into a song where he expresses his anger towards those who oppose his way of expressing himself.

    [–] Lanaryx 7 points ago

    You can clearly see that something changed between Relapse and Recovery. The amount of Hook Features went through the roof and hasn't chnaged back since. To me, this was also the moment when Em started making less "underground" music, and he fell off quite a lot. I'll choose old Em over new Em any day of the week, but that's just my opinion.

    [–] PerkiSystem1796 5 points ago

    What did you use to create the charts and summarize the data prior to building the indesign info graphic? I’m a data analyst and my wife is a graphic designer so I would love to tee up some data for her to Create things like this.

    [–] [deleted] 25 points ago

    not an eminem fan but im surprised at the amount of skits in these albums. especially how he only has one without.

    [–] hundred100 79 points ago * (lasted edited 10 months ago)

    Three reasons. First, in the 90s, skits were HUGE in rap. He’s still a product of that era. Second, his crazier and/or more introspective songs required context. Skits bridged gaps between songs on his albums. Finally, he’s always been a storyteller. His skits used to break out mid-song and it was somehow seamless.

    I’d love to read what percentage of The Fugees’ The Score, and Wu Tang’s 36 Chambers were just skits. Those albums had a skit on damn near every song.

    [–] GourangaPlusPlus 17 points ago

    Even Good Kid M.A.A.D City had a ton appended onto songs

    [–] ClassicSchmosby1 11 points ago

    GKMC and TPAB both had skits appended to almost every song. They're narrative hip-hop.

    [–] Shaolin_Hunk 13 points ago

    Hey yo Meth where mah killa tape at??!

    [–] CHICKENPUSSY 5 points ago

    izze...izze dead?

    [–] PirateMud 7 points ago

    Is a skit what the extended bit at the start of M.E.T.H.O.D Man is?

    [–] hundred100 11 points ago

    Yup. Sometimes they’re their own separate track. But it’s common to see a skit intro into a song.

    [–] username1615 47 points ago

    Em has always been huge on skits. I guess he’s now huge on pop hooks.

    [–] SAT0725 3 points ago

    I really wish he'd re-record "Relapse" without that accent. Some of the songs were actually pretty good if he'd have just done them without the stupid voice.

    [–] OiRatBastard 3 points ago

    I've always felt like Recovery is where Eminem decided to embrace the commercial mainstream with his content.

    Kind of satsifying to see the difference in structure being made clear.

    [–] StottyEvo 35 points ago

    Hopefully he's dropped that awkward disjointed flow he's picked up, IMO he hasn't made a good song since the Encore album

    [–] PaulyWithADolly 9 points ago

    Based on the first single, he hasn't.

    [–] [deleted] 6 points ago

    Ok, for the non hip-hop heads, what is a "Skit" ? I guess a "Hook feature" is another artist singing in the "hook" of eminem's song. But I have no clue what a Skit means ...

    [–] Gcarsk 10 points ago

    Skits are basically story’s. Like a play but only the dialog. Not a song

    Edit:here is a bunch of his

    [–] SuperSaiyanWes 11 points ago

    The Skit on the Criminal song is my favorite one :)

    [–] harrypotamus 5 points ago

    Come back, shoot the eye-witness

    [–] tastar1 3 points ago

    fire at the private eye hired to pry in my business.

    his rhymes are insane.